It has come to my attention that those closest to me do not understand my writing journey. They wonder why I spend so much time with my nose in books (you have to read what you write!) and my eyes glued to my computer screen. They wonder why I don’t write a different genre. They wonder what webinars and podcasts are. They wonder what SCBWI, 12×12, Storystorm, ReFoReMo etc. etc. etc. are. But most of all they probably wonder why I don’t have a bazillion published books.
The publishing world is confusing! So I thought I’d write a little something to help my friends and family understand the process to becoming a published picture book author. And who knows? Maybe this post will help my kid lit pals, too.
Here’s my writing journey in a nutshell:
My love for picture books was rekindled after my son was born 9 years ago.
Remind friends and family about your writing spark.
I have wanted to be a writer my entire life. I wanted to write novels when I was a little girl. I wanted to be a sports writer in junior high school. In high school I wanted to be an investigative journalist. In college I wanted to freelance for feminist magazines. But my passion never burned so bright as it did when I started writing for children.
When I first started writing picture book manuscripts I submitted to publishing houses that still accepted unsolicited work. I received one form rejection letter. I didn’t know what I was doing.
Share books that excited you.
I read more and more picture books and started researching self-publishing. I self-published a picture book in 2012. Will I ever self-publish again? No. Do I regret my decision to self-publish? No. I know plenty of self-published writers who are successful. It just wasn’t for me. But it sent me on an informative path. I Joined SCBWI. I started a website and a blog. I became social media savvy. I connected with authors and illustrators. I gained book signing and school visit experience etc.
Let your friends and family know what new things you are trying.
Then I joined Julie Hedlund’s 12×12 picture book writing challenge. I found an incredible critique group. I watched webinars and took online picture book writing classes. I participated in Twitter pitch parties. Suddenly I wasn’t getting NO responses and form rejection letters. Progress!
Share your small success stories.
Fast forward to this year. I entered a contest for a picture book writing mentorship (Writing With the Stars) and was selected out of hundreds of talented picture book writers. I entered Michelle Hauck and Sharon Chriscoe’s PB Party contest and was selected out of hundreds of talented kid lit writers.
Don’t overthink. Stay true to yourself.
My friends and family probably question my sanity. After all these years of hard work, rejection, and tears (my husband sends me flowers), why do I keep at it?
Share your rejections and the goodies you use to cope.
BTW, it seems like most picture book writers have an obsession with chocolate, cake, and cookies. I’m more of a salt and vinegar chips like of gal.
Remind them why you write.
On a more serious note, my goal is not to see my name on a book cover. My goal is to write stories that inspire kids or help them relate or offer a different perspective or make them laugh (when I write something that can make my son giggle as much as he does when he reads STINKY CHEESE MAN, I know I’ve made it.)
In the end it is simple. I have to write. It’s in my heart.
Be clear about your dreams and goals.
My dream is to be a picture book author. My goal is to sign with a literary agent. So how does this process work?
- Read thousands of picture books (I read 1,005 last year).
- Get an idea for a picture book (They come out of nowhere!).
- Write a rough draft.
- Revise draft a bazillion times.
- Send draft to critique group.
- Revise draft a bazillion more times.
- Send draft to critique group again. If the group gives me the green light, I send the manuscript to my fantastic mentor, Laura Gehl.
- Revise manuscript.
- Send manuscript back to Laura.
- Revise manuscript again.
- If Laura gives me the green light I’m ready to submit.
- Research agents.
- Write a query letter.
- Submit to agents.
- Wait. A. Long. Time.
Writing for children is not easy.
People tell me all the time how easy it must be to write picture books. Here’s the thing: most fiction picture books are 500 words or less so every single word has to matter. Every single word must have purpose and add to story.
Many argue that writing for children is actually more difficult.
“Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth…”
I am a member of 12×12, which means that I have the opportunity to submit to one of two agents every month. (These agents read 12×12 submissions before the slush pile). I research the agents and submit to the one I think is the best fit for my work.
It’s a LONG process.
What happens next? It depends. Here are a few possible scenarios:
- No response from agent.
- Form rejection letter.
- Champagne rejection letter with feedback.
- Revision request.
- Agent either rejects revision or asks to see more manuscripts.
- Agent loves manuscript and asks to see more work.
- Agent turns you down after you send more work. (“You’re close, but not quite there.”) OR
- Agents schedules a phone call to discuss your work, goals, career etc.
- Agent offers representation.
Great! You have an agent! Now what?
Celebrate with friends and family!
Side note: There are very few publishing houses that accept unagented material. Why? Because editors are busy people who only want to read work that is recommended by people they trust. Agents have relationships with editors. Agents know what editors are looking for.
Is your work over after you get an agent? No. More revising! When your agent says your manuscript is a go, s/he puts a submission package together and sends it to editors.
You wait a long time. AGAIN.
The editor says nay OR requests a revision OR says yea! Most publishing houses have an acquisitions process, which means the editor presents the manuscript to a GROUP of folks who work at the publishing house. Group says nay OR yea!
The publishing house makes an offer.
Celebrate with friends and family!
Side note: bonus of having an agent? The agent negotiates the contract on your behalf. 18 months-2 years later . . . your book is released!
Celebrate some MORE!
What next? Promote your published book with school visits, book signings etc. AND . . .
Work on selling your second book.
Never stop learning and writing! Miranda Paul recently made this comment during a webinar:
“When you stop learning your career is over.”
Dream big. Never give up.